By Jerry Levens
SAN DIEGO, Calif.— George
Gershwin Alone, created and performed by Hershey Felder, is still going
strong at The Old Globe Theatre in
Balboa
Park
and will continue to do so until October 22. Thereafter Felder will take
a well earned four-day break and will return as Monsieur Chopin; also alone.
I find it interesting, even ironic, that Gershwin’s third teacher, Charles
Hambutzer, introduced him to the music of Chopin, who, along with Wagner, was
a well known anti-Semite.
Anti-Semites had a way of figuring in Gershwin's life In this
production, Felder brings the anti-Semitic blather of Henry Ford to public
attention. Ford’s vitriolic statements about Jews, as well as his dislike
for Gershwin, reminded me of my mother's absolute refusal to purhcase a Ford
product; we never did. Hambutzer was probably Gershwin’s strongest
musical influence. He also introduced Gershwin to the French composers Debussy
and Ravel, as well as to early Schoenberg; who incidentally was Jewish.
This show is both a play and a concert of Gershwin music. Felder’s ability
as an actor was at least equal to his talents at the keyboard. My only
unsettling observation for the evening we attended was that I felt Felder’s
closing rendition of Rhapsody in Blue was somewhat over played; with
more fortissimo than I am accustomed to. After the show I was able to chat
with him briefly. I inquired if he had made use of the arrangement which
Ferde Grofe, who was Paul Whiteman’s arranger before Gershwin, had written.
He looked a little surprised and asked if I played it. I responded by
saying that I had many years back when I was an aspiring pianist. Felder
then gave me a very broad grin and said “well yes, it was based on the Grofe
arrangement; however, I goosed it up a bit as you no doubt noticed”.
Well, I thought, yes I did notice, maybe a bit too much; but then again he, at
least, had a polished keyboard technique, as well as a superior piano, to pull
it off.
Gershwin’s
life was unique, at least among American composers of his day. I thought
Felder’s attempt to compress Gershwin’s life events into an hour
and a half program was well done. It is important to consider that in a time
frame of slightly over two decades he was able to accomplish so much in the
world of music; if the term “crossover musician” had been in the lexicon
of the period, he would have filled the bill completely. Gershwin’s
ability to weave together so many diverse musical styles and tonalities was
truly exceptional; the gospel and spiritual songs of the Blacks in the
south, Jewish tonalities from his own traditions, the evolving
sense of spontaneity and complex rhythms of Jazz, classical structure
and of course The Blues. With his blending of these musical forms, he created
what the music world today considers his own musical genre; a “sound”
which is so uniquely recognizable as Gershwin.
I enjoyed the concert in the company of my daughter Kelly, who didn't think
she was familiar with Gershwin's music. It did not take long for recognition
and surprise to show on her lovely face. “I know these! Did he compose
all of these songs? Wow” Later, she gave me her review of the show:
“George Gershwin Alone was fantastic. It told the fascinating story
of the life of a passionate, yet misunderstood man.. This one man show is
lively, funny, and yet intimate. At some points the audience was asked
to join in. Hearing ourselves sing was half the fun. Even for someone in their
twenties like myself, who has little knowledge of Gershwin and his fame, there
was fun to be had and wonderful music to pull at my heart strings. My
favorite part was how Gershwin even found ‘music in the heart of noise’.
I found a wonderful depth in that statement and found a deeper understanding
of Gershwin himself and the relationship he had with his music. I whole
heartedly enjoyed all of the show and have already recommended it others I
know”.
Along with our family , there are millions listeners, both then and now, who
are in love with his music. This show brings it all alive once again.
Felder has preformed this show around the globe over 2500 times and the demand
is still growing. My recommendation: Treat
yourself to a very worthwhile and entertaining evening. Bring the
younger generations in your family; it is important that they meet the man who
many call the foremost American composer of the twentieth century and who is
also an important part of Jewish musical history.
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