Louis Rose Society Newsletter No. 28 April 26, 2007 |
||||
|
||||
|
|
In this issue: |
||
International & National *Haifa University study indicates soldiers leave Israel Defense Forces more dovish *Was the western media duped in its 2nd Lebanon War coverage? *Jews in the News-Links to stories in metropolitan publications about Jews Standing Features *Jewish Community Calendar *San Diego Jewish Directory Arts and Entertainment *Songs of Leiber and Stoller delight in Welk Theatre's Smokey Joe's Cafe *San Diego Rep tells schedule of Lipinsky SD Jewish Arts Festival *Israel Contemporary String Quartet scheduled by Jewish Music Festival *Rhythms of Senegal, Jamaica to add spice to Dor Hadash gala Advertisers *Gert Thaler Tribute Dinner |
|
|
.
Haifa University study
indicates soldiers
leave Israel Defense Forces more dovish HAIFA, Israel (Publicity Release)—Over the course of their military service, combat soldiers become less right wing, adopt more dovish political views and are more open to compromise on security issues – according to research completed in the School for Political Science at the University of Haifa by IDF Reserve Colonel Dr. Zvika Barkai who served as Commander of the Haifa region and head of the Operations Branch of the Home Front Command. Additional parameters that affect change in political views include the specific unit served in, gender and service as an officer."In the opposite of what would be expected, military service does not cause adopting militaristic views," Dr Barkai said. The research was conducted over three and a half years, under the direction of Prof. Avraham Brichta, Dr. Daphna Canetti-Nisim and Dr. Ami Pedahzur, surveyed 490 male and female soldiers of every rank and in every branch of the IDF. Soldiers were asked to respond to the same series of questions at three different times, before induction, six months into their service and immediately following their release. The goal of the research was to evaluate whether the army is in actuality the politically neutral institution that it purports to be and whether it has any effect on soldiers' political views. "It's a problem when the public is convinced that soldiers are coerced into adapting specific political views, sometimes against their will, and to act accordingly. Such a public belief could limit the ability of the government to use the army for nationalist missions," remarked Dr. Barkai. The research did indeed find that soldiers' political views change over the course of their service, and that the type of service, length of service, rank, and gender influence the change. The initial interviews found that a large percentage of the soldiers began their service with clear right-wing views. Six months into their military service they were more right wing, but after completing their service they took on more dovish views and were more willing to compromise on security issues. In addition, these soldiers adopted more conciliatory views towards minorities in general, and more specifically towards the Arab minority, and experienced a greater change in their views about human rights than soldiers who began their service with less extreme views. Overall, when political views did change during military service, they reverted back to the original views after release, with the exception of combat soldiers who maintained more dovish views following their release. Within the different types of army units, soldiers who served in field units underwent the greatest change in their political views. The research reveals that no only combat soldiers in these units undergo a change; all of the soldiers in field units undergo a change in their political views. Those with hawkish views adopted more moderate views and a raised consciousness for minority rights. Those who served as officers also underwent a substantial change in their political views. Officers adopted much less right wing and more pragmatic views than enlisted soldiers. In addition, they underwent a greater change in espousing strongly democratic values, adherence to the rule of law and minority rights. Women, on the other hand, underwent a change in political views – | and became more rightwing and hawkish. At the same time, they increased their support for regulation of non-conventional weapons more than male soldiers did. Women soldiers experienced a greater change in their support of democratic values while men underwent a greater change in the attitude towards human rights and minority relations. "It is important | to note that although men underwent a greater change, their values were almost identical to women's in terms of concern for human rights at the end of their service, as they began with more extreme views," explains Dr. Barkai. While army service did not affect the level of religious observance among the soldiers, it did improve understandings between religious and non-religious soldiers and increase willingness to compromise on religious issues. According to Dr. Barkai, the research findings demonstrate that military service does influence political views; therefore civilian authorities need to oversee the values and messages that the army espouses to ascertain that the military works to assimilate only universal, accepted values. Only then will the military be an effective agent for the integration and assimilation of positive values and an agent for bridging and narrowing existing conflicts. The study results lead the researcher to recommend that minorities and marginalized populations be encouraged to serve in the military. He recommends a large-scale draft of Arabs, increased participation of Druze and Bedouins, ultra-orthodox Jews and religious women and designing special programs for marginalized youth (who are often excused from military service). "Even taking into account that expanding the draft to include the abovementioned groups may have a marginal or even negative effect on the country's security, the latent national gains should be weighed against the security issues – not necessarily by the military," summarized Dr. Barkai. The foregoing article was supplied by Haifa University. (back to top) _______________
The World Politics Watch summary is accurate, and telling, of the biased impact of coverage provided by the Western and Arab media. However, the World Politics Watch
concluding paragraphs are stronger In the actual study, Kalb’s conclusions
bemoan the suspicions of MSM coverage roused by bloggers who
exposed fake reporting and Kalb doesn't mention that there is only
one allowable prescription for Excerpts from the World Politics Watch
article are below. But, read the entire PDF of the actual
study. Marvin Kalb, of Harvard's Shorenstein Center on the Press, Politics and Public Policy, methodically traces the transformation of the media "from objective observer to fiery advocate." Kalb painstakingly details how Hezbollah exercised absolute control over how journalists portrayed its side of the conflict, while Israel became "victimized by its own openness."…
(back to top)
___________________ Arts in Review by Carol Davis ___________________
Songs of
Leiber and Stoller delight In 1953 they formed their own label, Spark, which later became the Coasters. That same year, they released Riot in Cell Block #9. Not only was it b’shert that they met, it was brilliant that they had the smarts to form their own label because Atlantic Records later signed them to the industry's first independent production deal. Not too bad for a couple of kids just getting their musical footings off the ground. Ultimately, they became one of the most influential songwriting teams in rock and roll history. (Smokey Joe’s Café official site) For those of you who think you might never have heard of Jerry Leiber and Mike Stoller, you might recognize some of their music: How about Hound Dog? Oh, you thought Elvis write that one? Nope. And Stand By Me?, or There Goes My Baby?, or Jailhouse Rock, Fools Fall in Love, Yackety Yak, Kansas City, On Broadway, Charlie Brown, Love Potion #9, Spanish Harlem, (Leiber and Phil Spector) Dance with Me and I could go on and on. But, I’ll make it easy for you. Why not head up to the Welk Village Resort Theatre in Escondido and see and hear for yourself their time remembered works? A composite of many of their popular and not so popular numbers, 39 in all, are showcased in Smokey Joe’s Café. It is a musical tribute to Leiber and Stoller, and has been on the musical theatre circuit now for years. The Welk Theatre is mounting it through May 20th. It’s an enjoyable celebration of their works, and a pretty lively one at that. The setup is simple. There are nine cast members, four guys and five gals all with strong voices and very distinct personalities. They are gathered around a stairwell connected to the face of a tenement building, circa 1950. (Nick Fouch)
The
band is on stage up on a platform so you can see and hear them at the same
time. The cast is casually dressed in 50’s outfits (Carlotta Malone) and
they begin the show with Neighborhood, a little ditty down memory
lane for a look back at the neighborhood and some familiar pictures of
families and friends of their past. From there the show takes off with each
cast member pairing up with other cast members to go through the selection
of songs, related or unrelated , but certainly some that you can remember
from your own growing The revue is an entertaining diversion and the Welk Theater pays it a lovely compliment with the talented cast comprised of Sandra Allen, Meloney Collins, Lawrence Cummings, Eugene Barry Hill, Ron Kellum, Kelly Provart, Mark Provart, Dominic Rambaran and Melissa Youngblood. They sing blues, rock ‘n roll, jazz, rhythm and blues, pop and cabaret. in other words, they do it all. Under the direction of Sha Newman (he also choreographed) and musical director, Justin Gray the show hummed along gathering momentum in the second act, when the stage is converted to Smokey Joe’s Café. Yes, they had us clapping and even swaying to the music. I would be remiss if I did not mention the excellent musicians: Justin Gray on keyboards, Ted Hughart on Bass, Mike Masessa on drums, Dennis Calplinger on guitar and Richard Mcguane on tenor sax. Carlotta Malone’s wide range of costumes gave almost every number a different look. And Jennifer Edwards-Northover’s lighting gave it all the atmosphere it needed. In a program footnote it states that their songs provide the basis for an electrifying entertainment that illuminates a golden age of American Culture. I’ll buy that. For more information on the dinner package or just the show call (760)749-3448 or visit them on line at www.welktheatre.com
See you at the theatre.
San Diego Rep tells schedule of
Sunday, May 20, 7:30pm—The Nochi Krohn Band, sponsored by SCY High/Southern California Yeshiva High School. Soulfully sweet harmonies and superb musicianship distinguish this top young band from New York making its West Coast debut. The Nochi Krohn band fuses rock, jazz, and country with traditional Jewish favorites and stunning new songs from their debut CD Ananim – (Clouds.) A fun and uplifting concert supporting San Diego’s newest Jewish school: SCY High. Lyceum Stage, San Diego REPertory Theatre, 79 Horton Plaza. $25 Individual; $22 Seniors and groups
Wednesday, May 30, 7:30pm—Michael Medved – Mixing Religion And Politics; Does The Combination Threaten - Or Enrich - American Democracy? Sponsored by Chabad of La Costa. Michael Medved, host of one of the top-rated radio shows in the country, will be speaking on an important topic in these turbulent times. This evening promises to be both informative and entertaining! There will be plenty of time for Q & A with the audience, which is always fun, as Michael Medved is known for his outstanding ability to “think on his feet.” A controversial topic? One of today’s most charismatic and compelling speakers will share his answers. Lyceum Stage, 79 Horton Plaza. $36 Orchestra and Balcony Center; $25 Balcony Sides; $90 Patron seats include a signed book and pre-show reception.
Wednesday, May 30, 7:30pm—We are…! – Featuring J* Company’s - Yours, Anne. Sponsored by Agency for Jewish Education of San Diego and J*Company of the San Diego Center for Jewish CultureSan Diego’s most talented Jewish performers come together for a stellar evening of dance and theatre. The show features musical selections from Yours, Anne, by the J*Company under the direction of Joey Landwehr, a moving depiction in song of the story of Anne Frank; The program also features a world premiere theatre piece about the ideas and aspirations of today’s Jewish Teens called, We Are... directed by Steve Lipinsky, written by and starring actors from the High School of Jewish Studies.Lyceum Space, San Diego REPertory Theatre,79 Horton Plaza. $12 Individual; $10 Students, seniors and groups.
Monday, June 11 and Tuesday, June 12,7:30pm—Comedy and Laughter from Neil Simon: June 11- Broadway Bound & June 12- The Sunshine Boys. No playwright has so captured Jewish humor like Neil Simon. In two of his funniest and most meaningful works, we celebrate Neil’s fun with some of the West Coast’s most acclaimed stage actors. In Broadway Bound, brothers Eugene and Stanley seek fame and fortune in comedy writing as their home and family begins to unravel. In The Sunshine Boys, two aged vaudevillians try to recapture their comic magic in roles made famous by Walter Matthau and George Burns. Full of humanity, stirring scenes, and Neil Simon's immortal wit.North Coast Repertory Theatre, 985 Lomas Santa Fe Drive, Solana Beach. For North Coast Repertory Theatre Tickets Only,888-776-NCRT; www.northcoastrep.org $18 Individual; $13 Students, seniors and groups.
Monday, June 18, 7:30pm—The 6th Annual Klezmer Summit: Klezmer and Knishes, featuring Yale Strom with Hot Pstromi and Alexander Gourevitch with Freilachs Klezmer and Free N.Y. Style Kosher Knishes for ALL! The festival's most popular yearly program returns with a full evening of Klezmer pure and simple, and something to nosh! Yale Strom, and his great band Hot Pstromi return to San Diego with a new program “Romania, Romania!” Yale knows how to whip up a crowd. Join us to explore Klezmer with a gypsy touch with singing by chanteuse Elizabeth Schwarz and a band that travels the back roads of Eastern European magic. And if that's not enough, clarinet player Alexander Gourevitch with his violinist daughter Natasha and their band Freilachs bring three generations of Klezmer soul to an evening filled to the brim with the musical and culinary soul food. A special feature of this program will be a short introduction to the Dead Sea Scroll exhibition with amazing images. Lyceum Stage, San Diego REPertory Theatre, 79 Horton Plaza. $18 Individual; $15 Groups.
Monday, June 25, 7:30pm—Flowers
Aren’t Enough.
Sponsored by Project SARAH, A Program of Jewish Family Service of San
Diego.The San Diego premiere performance of Israeli actress Naomi Ackerman,
whose theatrical works have been performed around the world. Drawn from
real stories of the lives of women in Israel, Flowers Aren't Enough
tells a universal tale of a woman who emerges from the secrets, lies and
fears of domestic violence. This deeply moving program is sponsored Jewish
Family Service of San Diego Project SARAH (Stop Abusive Relationships At
Home), which provides a safe and confidential setting for individuals who
are experiencing abuse to explore resources and options and assists them in
making critical life decisions (Learn more at
www.jfssd.org). The festival is proud to support this worthy program
which will be followed by a discussion with the actress/writer. Lyceum
Space, San Diego REPertory Theatre,79 Horton Plaza. $18 Individual;
$15 Groups. (back to top) SAN DIEGO (Publicity release) – The 8th Annual San Diego Jewish Music Festival, sponsored by the Private Bank of Bank of America and presented by the San Diego Center for Jewish Culture continues with the Israel Contemporary String Quartet on May 21 at 7:30 p.m. The ICSQ, consisting of four young women, Hadas Fabrikant, violin; Tali Goldberg, violin; Amelia Hollander, viola; and Hilla Epstein, cello, is one of Israel’s most talented and influential ensembles. The evening is presented in alliance with the America-Israel Cultural Foundation. The Israel Contemporary String Quartet has performed in scores of concerts and festivals in Israel, Europe, Asia and the U.S., and has collaborated with choreographers, dancers, video artists, theater directors, composers and performers. In many cases, the ICSQ performs beyond its “instrumental” capacity to become part of the choreography or theatrical staging, creating unclassifiable thrilling and innovative performances.
The ICSQ has received grants and awards for its artistic activity, including the 2004 Grand Prix at the Eighth International Contemporary Chamber Music Competition, held in Krakow, Poland, the 2003 Israel’s Minister of Culture and Education’s Award for outstanding performance in Israel, and the Alfred Ensor Award.
The Quartet’s repertoire is highly diverse, consisting of works by 20th-century masters (Shostakovich, Bartok), contemporary composers from around the world (Tan Dun, Reich), classical masters (Mozart, Beethoven, Schubert), and artists from farther afield (rock bands, world music and jazz). Many prominent Israeli composers dedicate their music to the Quartet, and the ICSQ has premiered numerous works of Israel’s leading composers.
Since ICSQ’s Tel Aviv Museum of Arts debut at the 2002 Biennial for contemporary music the Quartet continues to perform regularly in major concert venues and festivals worldwide, including performances in the Singapore Arts Festival, the Stuttgart Opera House in Germany, the Krakow Philharmonic Hall in Poland, the Day of Memory in Italy, and the Israel Festival in Jerusalem. The ICSQ has been featured on several of the nation’s most prominent radio broadcasts.
The ICSQ’s major premiere performance in 2002 is an example of the extraordinary breadth that has characterized the Quartet from its inception to this day. Its four members came together to perform George Crumb’s Black Angels, Steve Reich’s Different Trains, Baniel’s Bird Quartet, and Schubert’s Death and the Maiden. The genre-bending multi-media performance at the Tel Aviv Museum of Art entitled Black Angels, incorporated bowed water glasses, spoken word passages, electronic effects, video installations, lighting and costume design.
The ICSQ
is also an active supporter of peace efforts in the Middle East. It
initiated a special Project – POSSIBLE – in collaboration with Arab and
Palestinian musicians and composers. The Quartet commissions works and
arrangements for string quartet as well as for string quartet and Arab
instruments and has performed along with these musicians in concert halls,
theaters and festivals in Israel and Europe. The San Diego Jewish Music Festival takes place at the Lawrence Family Jewish Community Center, JACOBS FAMILY CAMPUS, 4126 Executive Drive, La Jolla. Tickets for the Israel Contemporary String Quartet are $15 for members and $19 for non-members, with a $1 discount for seniors and students. For information or tickets call the JCC Box Office at 858-362-1348, or visit the web site at www.lfjcc.org.
The
foregoing was provided by the San Diego Jewish Music Festival SAN DIEGO (Publicity
Release) —On Saturday, June 9, at A portion of the proceeds from our
Annual Benefit will be donated Our Benefit Gala’s theme this year of
Jamaican Food and Reggae Ticket prices are $118 for a dinner of
Jamaican Food from For more information please contact
Andrea Wagman-Christian, The foregoing article was provided by Congregation Dor Hadash.
|
||